THE THEORY OF COLOUR VISION

the analysis of the role of the speech acts theory in translating and dubbing hollywood films

از محوری ترین اثراتی که یک فیلم سینمایی ایجاد می کند دیالوگ هایی است که هنرپیش گان فیلم میگویند. به زعم یک فیلم ساز, یک شیوه متأثر نمودن مخاطب از اثر منظوره نیروی گفتارهای گوینده, مثل نیروی عاطفی, ترس آور, غم انگیز, هیجان انگیز و غیره, است. این مطالعه به بررسی این مسأله مبادرت کرده است که آیا نیروی فراگفتاری هنرپیش گان به مثابه ی اعمال گفتاری در پنج فیلم هالیوودی در نسخه های دوبله شده باز تولید...

A Theory of Unique Hues and Colour Categories in the Human Colour Vision

A novel approach to assessing colour appearance is described. It is based on a new technique—partial hue-matching—which allows for measuring colour in terms of component hues objectively, without resorting to verbal definitions. The new method is believed to have a potential to be as exact as colorimetric techniques. In contrast to classical colour matching, which implies visual equivalence of ...

Colour-Vision and Colour-Blindness

Colour vision

The immense range of colours that we see belies the relative simplicity of the system underlying colour vision. We see colours because each of the three distinct types of cone photoreceptor in our retinae is sensitive to a different range of wavelengths of light. The L, M and S cones, colloquially called red (R), green (G), and blue (B), are selective for long, middle and short wavelengths, res...

The Colour Vision of Fish

At one time during the past few months the writer's attention was called to the following statement made in January I926 by an eminent surgeon: "In fishes a falci-ft \form ligament is attached to the back of the lens and to the back of the eye for N /fX,E1 focusing. They have no color vision. This fact will be disputed by those who sell q .; ~~~artificial flies at high prices.""5 A subse-"~ Xe\...